Its sparky black comedy makes it something of a satire-meets-slasher, but its broader, more serious themes include timely explorations of violence against women and psychotic female rage. The book is a thriller whose plot revolves around two sisters, the younger and more beautiful of whom keeps killing her boyfriends. By last month, it had been translated into nine languages and the film rights sold to Working Title. I wanted to do something fun for myself.”Ī month later, in September 2017, she had completed the first draft for what would become her sensational debut the book sold both at home, in Nigeria, and in Britain and the US, well before she hit her milestone birthday in March last year. “The book was a way back out of my writer’s block.
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She had not written for a while and conceived the story of My Sister, the Serial Killer – a combination of deadly sexual attraction, psychosis, murder and sibling loyalty – as a way of flexing her writing muscles. “I asked myself: ‘Are you really going to turn 30 never having sent out a novel to an agent? You say you want to achieve this dream but you haven’t even tried!’” “I was writing in a frenzy,” says Braithwaite, speaking from her home in Lagos, Nigeria. It was now or never, she thought, and she got to work. It wasn’t the prospect of getting older that alarmed her, but that she had still not written a novel and sent it to an agent, as she had been promising herself. Six months before Oyinkan Braithwaite turned 30, she began to panic. My Sister, the Serial Killer (Atlantic, January) Their work entails sweeping for and diffusing mines, the discovery of one such mine which had earlier saved her life.Oyinkan Braithwaite: ‘It was a way out of my writer’s block.
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Hana may also test her theory of her fates with love and death as she embarks on a relationship of her own with Kip Singh (Naveen Andrews), a Sikh from India, whose unit has camped on the now overgrown lawn of the church. He may not be running from his work as a spy for the Germans as Caravaggio believes, but rather the memory of an affair he had with married Katharine Clifton (Dame Kristin Scott Thomas), the love of his life, and the memory of a promise not totally fulfilled. The patient does open up about his past, all surrounding his work as a cartographer in North Africa, which was interrupted by the war. Caravaggio believes that the patient's memory is largely intact, and that he is running away from his past, in part, or in its entirety.
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Their solitude is disrupted with the arrival at the church of fellow Canadian David Caravaggio (Willem Dafoe), part of the Intelligence Service, who is certain that he knows the patient as a man who cooperated with the Germans. All the patient remembers is that he is English, and that he is married. She agrees to catch up to the rest of the unit after he dies. Because of the difficulty traveling and the dangers, especially as the landscape is still heavily booby-trapped with mines, Hana volunteers to stay behind at a church to care solely for a dying semi-amnesiac patient, who is badly burned and disfigured. Hana (Juliette Binoche), a French-Canadian nurse working in a mobile army medical unit, feels like everything she loves in life dies on her.